Question recently asked on Facebook: Do you agree that most of the important white pop music of the 20th century has been based on white musicians imitating black musicians? This is a complicated question because it comprises several nested questions, each of which is complex in its own right. Question 1: What is “imitation” and what is influence. In my life, it has been a de facto assumption that Elvis fashioned his vocal style from Otis Blackwell (“Don’t Be Cruel”), Little Junior Parker (“Mystery Train”), Arthur Cruddup (“That’s All Right Mama”). Led Zepplin went so far as to copy a Willie Dixon tune and claim authorship (“Whole Lotta Love”). And fergit about Vanilla Ice, fer cryin’ out loud! However, the lines are not clearly cut. For example, Jimmie Rodgers undoubtedly heard and admired early rural delta blues performers. But, conversely, great bluesmen such as Muddy Waters and Chester “Howlin’ Wolf” Burnett professed to be fans of Rodgers’ music, the latter even suggest...
What I've pondered, experienced, and sometimes, learned in my 70+ years on Earth. This includes writing on teleprompters, computer software, music, guitars, playing guitar, politics, justice, human frailty, the world, Texas and anything else that I really think needs to be addressed.